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On the beach at night (3) Tamara Drewe


Then, dearest child, thou only for Jupiter mournest?
Considerest thou alone the burial of the stars?

Something there is,
(With my lips soothing thee, adding, I whisper,
I give thee the first suggestion, the problem and indirection,)
Something there is more immortal even than the stars,
(Many the burials, many the days and nights, passing away,)
Something that shall endure longer even than lustrous Jupiter,
Longer than sun, or any revolving satellite,
Or the radiant brothers, the Pleiades.

Alors, enfant chérie, est-ce pour la seule Jupiter que tu te désoles ?
Est-ce seulement la mort des étoiles qui te préoccupe ?

There is something
(I'm the whisper in my soothing voice
I entrust to you the initial suggestion, the problem and ways to avoid it)
there something more eternal than the stars ,
(beyond the days and nights that die constantly)
Something that will outlast the brilliant Jupiter, Longer
no sun or no satellite in orbit
The longer the radiant sisters the Pleiades.

Leaves of Grass , 1855, for the first publication.

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Posy Simmonds

undeniably invented a genre, the media often speak of "graphic novels" and the word is not too bad choice but it should not be used to designate the works Hugo Pratt or Comès that remain traditional comics. With Gemma Bovery and Tamara Drewe , Posy Simmonds adapts the intrigues of classic nineteenth and managed, without pedantry and with humor, to implement a moralist. The text fits between the thumbnails at the option of a fantasy consideration, the characters reach the complexity of their counterparts fiction. The line, hesitating and closes at the time, support the pastel tone intimate scenes and give the main character in this sensual fragility he loses in the film Stefen Frears.
The film is nevertheless an excellent adaptation, even if some strange characters seem to have less stage presence than he had on paper (I think of Glen or Ben, the drummer of rock). Frears manages to capture the tone of bittersweet romance and changes in the scenario are rather welcome they reduce the scope of dramatic events and help keep this feeling of lightness qu'on retire de la lecture de Posy Simmonds.

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On the beach at night (2)

     From the beach, the child, holding the hand of her father,    
   Those burial-clouds that lower, victorious, soon to devour all,    
   Watching, silently weeps.    
        
   Weep not, child,    
   Weep not, my darling,   
   With these kisses let me remove your tears;    
   The ravening clouds shall not long be victorious,    
   They shall not long possess the sky—shall devour the stars only in apparition:    
   Jupiter-be patient "shall emerge again Another Night-watch-the Pleiades" shall emerge,  
  They Are All Those immortal-stars, golden and silvery Both, "shall shine out again,  
  The great stars and The Little Ones Shall shine out again-they endured;  
  The Vast immortal suns, And The long-enduring pensive moons, shall "shine again.  
 
  From the beach the child holding the hand of his father,  
  Observe the clouds, gravediggers fatal hurrying to swallow everything  
  And weeps silently.  
 
 
 
  Do not cry, my child,  
  Do not cry, my darling;  
  Let these kisses, hunt those tears.  
  These voracious clouds will not always victorious.  
  She does not own the sky very long, and do dévooreront the stars so 
 illusory.  
  Have patience, Jupiter will emerge, contemplates the sky again, the Péïades 
 will rise up.  
  They are immortal, all-star bursts of gold and silver shine 
 still  
  From largest to smallest, they will shine again - they last;  
  Vast eternal suns and moons always thoughtful shine again  . 
 

Leaves of Grass , 1855, when first published.

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Klimt's Three Ages of Woman

Allegory in the tradition of Baldung and Titian, the three ages of women presented by Klimt issue in 1905, however, a modern discourse. The first frame is the most interesting, we can only deplore the reproductions of the painting that tighten the area around women. Relieve the table its lateral spaces is obviously expand proportionately living space and undermine the discourse of the painter: the corridor of life is a bottleneck between the earth where seeds of life and nothingness towards which levitate the old woman. All the figures are examined (with the exception of the child), as the Melancholy of Dürer . But if the inclination of the mother, bathed in blue, means gentleness and tenderness, the old woman who wears her left hand to his eyes expressed his despair. The old woman in question has his feet resting on a space of nothingness Echoing the black background, bubbles, exhalation of life, escape from the living space where she bathes and the mother, on the contrary, above the head a colorful mosaic, a space of her dreams metaphor for their hopes. Klimt offers us a wonderful meditation that moves ontological hope ethereal regions of the afterlife ( Baldung ) transmission of mankind in the renewal of generations.

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On the beach at night

Part of a poem by Walt Whitman, excerpt from Leaves of Grass. This collection resulted in Laforgue have a lasting impact on the latest Belgian Symbolist, verse owes much Claudel and lyricism of Saint-John Perse he is not abroad .


On the beach, at night, Stands
a Child With Her father,
Watching the east, The Autumn sky

Up Through the darkness,
While Ravening clouds, The burial clouds, in black masses Spreading,
Lower, sullen and fast, Athwart and down the sky,
Amid a transparent clear belt of ether yet left in the East,
Ascends, large and calm, the lord-star Jupiter, And nigh
at hand, only has very little Above,
Swim The Delicate Brothers, The Pleiades.

Leaves of Grass , 1855, when first published.

night on the beach,
Keeps a child who, with his father
Look, the east, the autumn sky.

Up through the darkness,
While the clouds, voracious diggers in the profusion of their mass black
piling up fast and sullen in the hollow of a low sky,
the heart of a band ether remained clear to the east, Monte
, calm and stately, Jupiter, the noble planet
And nearby, barely above the paddle
delicate sisters the Pleiades.


approximate translation, S. Labbe, we must admit that the good Walt is not always as clear as his celestial ether.

Photo: Jupiter

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Vain prayer to the elements of Rene Daumal

As in Baudelaire, images of fog, smoke, dust contains, among Daumal the dissolution of the ego. Permanent State of unrealized human, man remained in draft form, the "black poet". The rock is therefore an illusion; y "insinuate" freedom, purpose. And find its freedom, is precisely beware of illusions, reject the trappings of lyrical exaltation of misleading that provides the spectacle of nature. Do not see the ocean in a "puddle" is to preserve the illusion that fosters a culture that can lead man to flourish, Venus has "bad teeth".

Dust, dust, ocean, first handkerchief over the wave, call for free cloud ...
The cloud drops suddenly, it's a block of stone.
dust, rock dust in this rock I insinuated my freedom in this rock-strewn wind. The burning sand
bites fronts simoom flames.
Smoke, smoke from fires torsos, full of smoke mirages, finally, I generate my caprice in you.
The smoke returned to the ocean, puddle of dirty water where a hunchback Venus mocks the hope of his decayed teeth.

Rene Daumal, Rear-Heaven Poetry / Gallimard, 1990.